In December 1879, the Foreign Missions of Paris opened a missionary post in Kyoto.  Dwarfed between the main Buddhist headquarters and the American Board, a Protestant missionary organization, Aimé Villion, the first French priest living in the city between 1879 and 1889, and a handful of Japanese lay catechists strove to increase the fame of the “Old Doctrine” (kyūkyō), a term often used in “modernizing Japan” to label Catholicism. This lecture, based on a vast array of primary sources—local newspapers, Catholic booklets and periodicals, and letters sent by Villion to Paris—, will provide a tentative understanding of how the Church pictured itself in 1880s Kyoto and what kind of people were attracted to its message.

Martin Nogueira Ramos is an associate professor in Japanese studies at the École Française d’Extrême-Orient. His research focuses on the history of Christianity in early modern and modern Japan. Recently, he has coedited D’un empire, l’autre: premières rencontres entre la France et le Japon au xixe siècle (EFEO, 2021) and Aspects of Lived Religion in Late Medieval and Early Modern Japan (Cahiers d’Extrême-Asie 32, 2023).

This hybrid lecture will be held on site (registration required in advance from here) and via Zoom.

Zoom Link: https://us02web.zoom.us/j/86894570779

Meeting ID: 868 9457 0779

In this lecture, based on her recent monograph, Marta Fanasca investigates the phenomenon of dansō (Female-to-Male crossdresser) escorts in contemporary Japan, situated between gender performativity and pop culture, commodified relations, and desires for self-expression. The lecture documents the ambitions and fears of FtM crossdresser escorts, while also focusing on the female clients. Combining theories in anthropology, sociology, and gender studies with ethnography, it shows that crossdressing is employed by a segment of Japanese women to resist heteronormative and patriarchal societal expectations, while reinventing themselves and pursuing self-actualization.

Marta Fanasca obtained her Ph.D in Japanese Studies at The University of Manchester in 2019 investigating the phenomenon of dansō (FtM crossdresser) escorts in contemporary Japan. After a Postdoc at the Higher School of Economics in St. Petersburg, she is currently a Marie Skłodowska Curie Global Fellow working on a project focused on commodification of intimacy and gender performativity, taking as case studies Japanese services providing emotional and/or sexual intimacy in a female/female context. Her articles have appeared in Asian Anthropology, Mechademia, and Girlhood Studies, and her first monograph, Female Masculinity and the Business of Emotions in Tokyo is published by Routledge(2024).

This hybrid lecture will be held on site (registration required in advance from here) and via Zoom.

Zoom Link: https://us02web.zoom.us/j/81056399420

Meeting ID: 810 5639 9420

‘Reading the air’ (kūki wo yomu) is a highly valued communicative skill in Japan. It has been argued to shape expectations, motivations, and actions within social settings and to facilitate smooth relationships. Not being able to do it is understood as disruptive and damaging to social settings and the management of social relations. In this talk I discuss these concepts and explore the diverse ways in which people with food allergies in Japan are imaginatively reading the air and trying to avoid creating trouble (meiwaku) for others and themselves when they disclose their allergies. I trace how practices of reading the air, and the concept of meiwaku, can also be productively understood as a practice of the imagination, which is indeterminate, intersubjective and emergent, whilst also building from prior experience to direct the actions they take.

Emma Cook is a Professor of Modern Japanese Studies at Hokkaido University. Her research currently focuses on feeling, affect and emotion in food allergy experiences in Japan. She is particularly interested in exploring how the individual and social intersect, interact, and are embodied, and how cultural conceptions of food, food sharing, health, illness, and the body affect experiences of food allergies.

Lecture will be held exclusively online (register here) via Zoom (meeting ID: 833 2325 8931).

The meeting link will remain posted on the ISEAS website top page from October 19.

From 1963 onward, six urns containing of Holocaust victims remains have been interred in Japan. These urns’ journey was both transnational, converging with the Polish state museums memory diplomacy, as well as a very local one, as the meaning of and politics around the remains were intimately connected with Japan’s own experience. Indeed, this phenomenon is not unique to Japan. Polish museums have sent such urns all around Poland and globally, building a secular network of pilgrimage sites with its own relics and altars. Taking advantage of the fragile corporeality of ashes, this practice transformed them into portable commemorative objects. The (literal) objectification of the Jewish dead globally and in Japan meant different things for different actors in this story. Tracing the journey of the urns and their various uses, reveal the complex politics of transnational commemoration of World War II in its very local meanings in Japan and beyond.

Ran Zwigenberg is associate professor at Pennsylvania State University and Kyushu University. His research focuses on modern Japanese and European history, with a specialization in memory and cultural history. He has taught and lectured in the United States, Europe, Israel, and Japan, and published on issues of war memory, atomic energy, psychiatry, and survivor politics.  His latest manuscript Nuclear Minds: Cold War Psychological Science and the Bombings of Hiroshima and Nagasaki (University of Chicago Press, 2023) deals with the psychological aftermath of the nuclear attacks on Japan. For more information on this and other projects, please see https://sites.psu.edu/zwigenberg/

This hybrid lecture will be held on site (email required in advance) and via Zoom (meeting ID: 894 1109 9080).

The meeting link will remain posted on the ISEAS website top page from July 22.

Horimono, or Japanese tattooing, has been documented in photography since the first commercial series in 1859, with technical problems that were quickly overcome by coloring the monochrome prints. The arrival of Western travellers led to the emergence of tourist photography ateliers (Yokohama shashin), which flourished in the new treaty ports. All the renowned photographers, such as Shimooka Renjō, Beato, Stillfried, Usui, Kinbei, and Kajima Seibei, included portraits of tattooed men in their portfolios. Alongside the geisha, the tattooed man became a new expression of Japanese masculinity in the eyes of Westerners.

Claude Estèbe is a French photographer and Japanologist. Formerly resident at the Villa Kujoyama (2001), he obtained his PhD in early Japanese photography from INALCO (2006). His publications include Les Derniers Samouraïs (2001) and Yokohama shashin (2014). He is currently editing a book on tattoos during the Meiji period. He has curated several exhibitions for the Guimet Museum, Kyotographie, and the MCJP (Le Japon en couleurs, 2022).

This hybrid lecture will be held on site (email required in advance) and via Zoom (meeting ID: 842 6720 2188).

The meeting link will remain posted on the ISEAS website top page from June 23.

The spread of Afro-Brazilian religions—especially Umbanda and, to a lesser extent, Candomblé—has followed the flux of the migrations of Brazilians (mostly of Japanese descent) looking for work and better living conditions in Japan. This presentation will show some preliminary results on how religious experiences are entangled with migration, the search for healing, life plans, the possibility of people and objects to circulate between Japan and Brazil, and the complex relationship with Japanese society, nature, and spirits.

Daniela Calvo is a JSPS Postdoctoral Fellow at the Graduate School of Human and Environmental Studies, Kyoto University, and is currently working on a project on Umbanda in contemporary Japan. She holds a PhD in Social Sciences (State University of Rio de Janeiro) and a PhD in Mathematics (University of Pisa).

This hybrid lecture will be held on site (email required in advance) and via Zoom (meeting ID: 852 6441 2277).

The meeting link will remain posted on the ISEAS website top page from May 20.

Western classical culture, and Greek culture in particular, has been a formidable source of reflection and imagination for twentieth-century Japanese artists and intellectuals. After tracing the milestones of this encounter, we will examine the nature of the link thus created between modern Japan and ancient Greece. At a time when the West is stumbling over the paradoxes of universalism, a reterritorialization of Greece seems more necessary than ever.

Michael Lucken is Professor of Japanese Contemporary History at Inalco (Paris), where he is teaching and studying intellectual history and visual culture. His main books are L’Art du Japon au vingtième siècle (Twentieth-Century Japanese Art; Hermann, 2001); Imitation and Creativity in Japanese Arts from Kishida Ryūsei to Miyazaki Hayao (Columbia University Press, 2016); The Japanese and the War: Expectation, Perception, and the Shaping of Memory (Columbia University Press, 2017); Nakai Masakazu. Naissance de la théorie critique au Japon (Nakai Masakazu: The Birth of Critical Theory in Japan; Presses du réel, 2015); and Le Japon grec. Culture et possession (Greek Japan: Culture and Possession; Gallimard, 2019).

This hybrid lecture will be held on site (email required in advance) and via Zoom (meeting ID: 863 0847 2410).

The meeting link will remain posted on the ISEAS website top page from April 15.

The publishing world of the late Edo period was marked by the attempts to involve a female readership as literary consumers. At the beginning of the nineteenth century, female readers were not considered as the “specific target” of a literary output. Thus, authors and publishers resorted to many expedients to find a product explicitly designed for their preferences, such as the ninjōbon (sentimental books). However, this paucity of literary contributions, whose main aim was to fulfil womanly interests, does not imply that authors did not try to involve them before the publication of these “sentimental books”. Furthermore, publications with men as their original consumers could in fact be tailored to a female readership. When a literary product changes its model reader, the transformations that the text undergoes are not concerned solely with the surface—cover and illustrations—or the plot. Changes are seldom embedded in deep narrative structures. This lecture aims to outline the evolution that texts, in particular tales of vengeance or katakiuchi mono, went through when they addressed a female readership, which involved morphological and structural changes.

Mario Talamo obtained his PhD from the University of Naples ‘l’Orientale’ and has a Postdoctoral Diploma in Sciences of Religion and the History of Thought from the Ecole Pratique des Hautes Etudes. He is currently a Visiting Research Scholar at the International Research Center for Japanese Studies. His research is on the late-Edo popular literature of the nineteenth century. Among his publications are the Italian translation of Jippensha Ikku’s masterpiece, Tōkaidōchū hizakurige (Hizakurige: a piedi lungo il Tōkaidō, Aracne Editrice, 2019); an anthology of tales of vengeance from the end of the Edo period (Storie di vendetta di samurai, Asiasphere, 2021); and “Evolutions of Ethical Paradigms and Popular Fiction: The Case of Late Edo Tales of Vengeance,” Japan Review (2023): 29-50

This hybrid lecture will be held on site (email required in advance) and via Zoom (meeting ID: 842 5377 2915).

The meeting link will remain posted on the ISEAS website top page from March 27.

Praised by younger writers like Tanizaki Jun’ichirō, Kawabata Yasunari, and Mishima Yukio, Izumi Kyōka (1873-1939) is today one of the most challenging of modern Japanese novelists to read, much less trans-late into a foreign language. His prose style is one of enchantment: as Nakajima Atsushi put it, it has the effect of a narcotic like heroin, taking the reader into an altered state of consciousness. Using examples from his own translation of the story, in this lecture the speaker will focus on Sanjaku-kaku (“Three Feet Square,” 1898) and its sequel Kodama (“Echo”) to ex-plore how, through language, Kyōka makes the lost world of late-nineteenth century Fukagawa come alive.

Cody Poulton is Professor Emeritus at the University of Victoria, Canada, and currently serves as Director of the Kyoto Consortium for Japanese Studies. A specialist in Japanese performance, he is author of Spirits of Another Sort: The Plays of Izumi Kyōka (2001) and A Beggar’s Art: Scripting Modernity in Japan, 1900-1930 (2010). He is also chief editor and translator of Citizens of Tokyo: Six Plays by Oriza Hirata (2018), co-editor of The Columbia Anthology of Modern Japanese Drama (2014) and Okada Toshiki and Japanese Theatre (2021), and contributing editor to The Cambridge History of Japanese Theatre (2016).

This hybrid lecture will be held on site (email required in advance) and via Zoom (meeting ID: 840 2211 1804).

The meeting link will remain posted on the ISEAS website top page from February 19.

The vanishing energy of Japanese traditional kites, crafted from paper and bamboo, echoes their departure from Japanese landscapes since the latter half of the twentieth century. This fading artistry has escaped the discerning gaze of foreign scholars specializing in Japanese studies and has been confined to the status of kyōdo gangu (Japanese folk toys) by Japanese researchers in regional studies. Yet, diligent research initiatives and the creation of the collective volume Cerfs-volants du Japon: à la croisée des arts (Japanese Kites: At the Crossroads of Arts) in 2021 calls attention to the untapped artistic richness of the study of Japanese kites. This lecture will highlight how the Edo period witnessed the rise of these delicate yet sturdy kites, not merely as celestial entities in the sky but as integral elements within the entertainment culture of the floating world. Indeed, their ethereal dance resonated with literature, poetry, theater, and the nuanced canvas of visual culture. The lecture will then illustrate how these delicate creations descended from the sky to find a new sanctuary upon the walls of galleries and museums as the twentieth century unfolded.

Cecile Laly has a PhD in Art History from Sorbonne University and is a Specially Appointed Lecturer at Kyoto Seika University. Specializing in Japanese arts and culture with a global perspective, her extensive research on Japanese kites is evident through her multiple scholarly publications, in particular her edited volume Cerfs-volants du Japon: à la croisée des arts (Nouvelles éditions Scala, 2021), a seminal contribution to the discourse on Japanese artistic heritage.

This hybrid lecture will be held on site (email required in advance) and via Zoom (meeting ID: 826 0859 2665).

The meeting link will remain posted on the ISEAS website top page from January 20.