Kyoto Lectures

Kyoto conserva ancora oggi la sua antica tradizione di cultura come uno dei maggiori centri accademici del Giappone e luogo di incontro per gli studiosi di tutto il mondo. Organizzate in collaborazione con la Ecole Française d’Extrême-Orient e il Center for Research in Humanities dell’Università Statale di Kyoto, Le Kyoto Lectures offrono agli specialisti delle culture e società dell’Asia Orientale la possibilità di presentare a Kyoto i risultati delle ricerche in corso.
KL2004のサムネイル

Kyoto Lectures

Gesaku Literati and Early Meiji Print Culture

Remaking Popular Culture for the Masses

Alistair Swale

Italian School of East Asian Studies

22 aprile 2020 18:00

The Meiji Restoration of 1868 set in train a major reconfiguration of not only the political structure of government but also the world of letters, aecting not just academic elites but also the demimonde literati and artists (gesakusha) who had enjoyed various forms of patronage under the Tokugawa regime.

This talk aims to expand the understanding of the practices relevant to gesaku in the early Meiji period by exploring the profound overlap between text, image and oral performance as well as the significance of the traditions of rakugo and kôdan in the early literary scene. The presentation also reviews the initiatives of early Meiji gesakusha who, in collaboration with nishiki-e artists such as Ochiai Yoshiiku and Tsukioka Yoshitoshi, spearheaded the development of a distinctive genre of illustrated news, nishiki-e shinbun.

Finally, some attention will be given to the continued adaptation of this mode of collaboration in the minor newspaper format, particularly as seen in the Tokyo Eiri Shinbun, established in 1875, and later illustrated newspapers associated with the Popular Rights Movement such as the Eiri Chôya Shinbun and the Jiyû no Tomoshibi.

Alistair Swale is an Associate Professor in Japanese at the University of Canterbury, New Zealand. He has written on the career and thought of Mori Arinori, as well as more broadly on the Restoration in The Meiji Restoration: Monarchism, Mass Communication and Conservative Revolution (Palgrave 2009). More recently he has been engaged in collaborative research at the International Research Center for Japanese Studies in Kyoto where he is completing a year-long project examining responses in popular culture to the “Civilization and Enlightenment” movement.

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Kyoto Lectures

Art, Gender, and Community in an Age of Revolution

The Life of a Samurai Housewife and Artist in Kishu Domain, 1830-1880

Simon Partner

Italian School of East Asian Studies

7 febbraio 2020 18:00

This presentation will focus on the life of Kawai Koume, an artist and housewife from a lower-ranking samurai family of Kishu domain (now Wakayama prefecture), from the 1830s through the 1870s. Using this female and regional perspective, the presentation will examine the lived experience of upheaval, conict, revolution, and social and political transformation. It will focus in particular on what it meant to be a female artist in the samurai community of Wakayama castle town, both before and after the Meiji Restoration. Topics to be introduced will include a portrait of the samurai, merchant and artisan communities of Wakayama; a discussion of the education and opportunities open to samurai women of Kishu domain; and an analysis of the cultural and social environment of female artists like Koume. The presentation will argue that the social and political transformations of the bakumatsu and early Meiji periods created both opportunities and challenges for a female artist, to which Kawai Koume attempted to adapt with mixed success.

Simon Partner is Professor of History at Duke University in the USA. His interest in Japanese history ‘from the bottom up’ has led him to focus on the lives of little-known individuals – farmers, workers, merchants, and housewives. He has published four biographies based on this research, most recently The Merchant’s Tale: Yokohama and the Transformation of Japan (Columbia University Press, 2017). He is currently a Visiting Research Scholar at the International Research Center for Japanese Studies (Nichibunken), where he is working on a history of the Restoration era as seen through the life of Kawai Koume.

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Kyoto Lectures

Environmental Expertise in Modern Japan and the Ashio Copper Mine Case

Cyrian Pitteloud

Italian School of East Asian Studies

29 gennaio 2020 18:00

The Ashio copper mine incident is one of Japan’s first and most famous industrial pollution cases. An industrialist close to the government took charge of the mine in the Tochigi Prefecture mountains at the end of the 1870s. The mine was modernized and extensively worked until, less than fifteen years later, it was fulfilling a third of the nation’s copper needs. The exploitation of this copper deposit on an industrial scale lead to environmental contamination that spread across five prefectures. In response, a protest movement arose that lasted for almost two decades.

The protest movement forms the major part of the case’s historiography. However, while benefiting from its findings, this talk will rather concentrate on the government and the measures it took to handle the social and ecological crisis. Among others, the establishment of pollution investigation committees in 1897 and 1902 is particularly informative, as the process of legitimization towards a public opinion increasingly aware of the events leant largely on data gathered and created by the ocial representatives of fast-growing disciplines (agronomy, medicine, engineering, etc.). Despite its importance, such process of legitimisation-by-scientific- knowledge has been, until now, barely studied.

Cyrian Pitteloud is a research fellow at the University of Geneva and at the École Française d’Extrême Orient in Kyoto. He studied History and Japanese studies at both Geneva and Lausanne universities, and, from 2012 to 2019, he was teaching assistant at the Japanese Unit of the University of Geneva. In November 2019, he completed his Ph.D. He has published a few articles and book chapters about the protest movement against the pollution of the Ashio copper mine, and translated various primary sources in Souyri P. F. (ed.), Japon colonial 1880-1930. Les voix de la dissension, ed. Belles-lettres, 2014.

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Kyoto Lectures

Between the Meiji Restoration and Ezo Republic

The Boshin War Viewed from Hakodate

Steven Ivings

Italian School of East Asian Studies

10 dicembre 2019 18:00

The Boshin War (1868-69) fought between the Tokugawa Shogunate and an alliance of domains rallying around the Japanese emperor was a major turning point in Japanese history and heralded in the Meiji era. Utilizing the British consular reports from Hakodate as well as several other eyewitness accounts, this talk will offer an insight into the activities and opinions of foreign traders and consuls during this crucial period. Located in the far north of the Japanese realm, the treaty port of Hakodate switched hands several times between the Shogunate and Imperial forces, and in the final phase of the Boshin War Hakodate was occupied for seven months by the so-called “Ezo Republic” which offered the final resistance to the Meiji regime. The sources provide on-the-ground insight into the reality of the shifting conflict, foreign diplomacy, and the activities of foreign traders who sold weapons and conveyed troops during this tumultuous period. In the talk eyewitness accounts of the Battle of Hakodate, a naval and land battle fought between strikingly modern forces which drew the curtain on the Boshin War will be presented. The view from Hakodate allows us to revise several aspects of the popular images of both the Tokugawa and Meiji regimes.

Steven Ivings is a senior lecturer at the Graduate School of Economics, Kyoto University. After completing his PhD at the London School of Economics in 2014 he worked at Heidelberg University as an assistant professor in cultural economic history before joining Kyoto University in 2017. He is a socio-economic historian who has published on aspects of colonial and postcolonial migration in the Northeast Asia, and the history of trade and economic development in Hokkaido and Karafuto (now Sakhalin).

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Kyoto Lectures

Early Encounters of Shin Buddhism with Shintō

“Interreligious” Contacts and Hagiography

Markus Rüsch

Italian School of East Asian Studies

28 novembre 2019 18:00

Shin Buddhism is often considered to be the tradition that most radically disassociates itself from Shintō from the very beginning of its history. This is evident in one of the most well-known biographies of its founder, Shinran (1173–1263) as well as—to a significant extent—in Shinran’s own writings. However, the question of the relationship between Amida Buddha, various kami,  and other Buddhist deities remained an open question.

In fact, a strategy for inclusion or exclusion of so-called “alien” religious denominations is a significant concern that Shin Buddhism shares with basically  all the Buddhist sects in Japan. This talk will try to shed light on different approaches within Shin Buddhism, focussing on the writings of Kakunyo (1271–1351) and Zonkaku (1290–1373), and discussing strategies and arguments that lead to nearly opposite understandings of the relationship with Shintō. In this context, the connections between hagiography and doctrine have particular significance for the self-consciousness of a religious group. As it will be argued, hagiography is not merely a political tool to legitimize power, but also a place where an author can develop forms of doctrinal debate.

Markus Rüsch is currently JSPS International Research Fellow at Ryukoku University (Kyoto). He studied Japanese Studies and Philosophy, and holds a PhD in Japanese Studies from the Freie Universität in Berlin. He has published a few articles on the subject of hagiography, Japanese Buddhist thought, and Japanese philosophy. This year his doctoral thesis was published in Germany by Iudicium Verlag with the title Argumente des Heiligen: Rhetorische Mittel und narrative Strukturen in Hagiographien am Beispiel des japanischen Mönchs Shinran.

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Kyoto Lectures

The French Campaign Against Imports of Japanese Cultured Pearls in the Interwar Years

William G. Clarence-Smith

Italian School of East Asian Studies

31 ottobre 2019 18:00

Various entrepreneurs experimented with producing cultured pearls from the early 1890s, but it was only after the First World War that Japan began to export round specimens on any scale. The arrival of relatively cheap Japanese cultured pearls on the world market alarmed established dealers in natural pearls, as well as producers, leading to a series of counter-measures and lawsuits. Paris, then the de facto capital of the Western world’s pearling economy, witnessed the most protracted and bitter disputes, which lasted almost to the end of the interwar years. At the centre of the storm was Lucien Pohl, who acted as the Paris agent of Mikimoto Kokichi, the most significant Japanese exporter of cultured pearls. Pohl came from a family of Alsatian Jewish traders, who had set up shop in Yokohama shortly after the Meiji Restoration. Pohl battled the French association of jewellers, who developed a series of scientific techniques to distinguish between the two types of pearls, and who sought to have cultured pearls legally designated as ‘fake’ or ‘imitation’ goods. In the end, a compromise was reached, whereby cultured pearls had to be clearly labelled as such, but could be freely sold.

William Gervase Clarence-Smith is Emeritus Professor of History, SOAS University of London. He is a Fellow of the Royal Asiatic Society, and of the Royal Historical Society. He is researching pearling around the world, with a chapter forthcoming in Pearls, people, and power: pearling and Indian Ocean worlds, Ohio University Press. He also works on sponges, whales, and fish, and, more broadly, on beverages, masticatories, narcotics, manufacturing, diasporas, slavery, sexuality, and Islam. With Ed Emery, he has organized SOAS-based conferences on non-human animals since 2010, on donkeys, mules, war-horses, camels, elephants, and sponges.

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Kyoto Lectures

The Multiple Faces of Japanese Military Disobedience, 1868-1937

Roots and Consequences

Danny Orbach

Italian School of East Asian Studies

19 settembre 2019 18:00

Many people in the West associate the Imperial Japanese Army with blind obedience to authority. Notorious for following superiors to certain death, Japanese soldiers in the Pacic War evoked among their enemies unsavory images such as “cattle”, “herd” or “beehive.” And yet, the imperial Japanese army was arguably one of the most disobedient armed forces in modern history. Japanese ocers repeatedly staged coup d’états, violent insurrections and political assassinations, phenomena which peaked in the 1870s and in the 1930s.

Between these two periods, other ocers incessantly resisted orders given by both government and high command. In the lecture, we shall examine the many faces of Japanese military disobedience and its dynamics, feeding from basic structural aws in the modern Japanese polity. Finally, we shall discuss whether military disobedience, in its multiple forms, helped to drive Japan into the Second-Sino Japanese War and the Pacic War.

Danny Orbach is an assistant professor in the departments of history and Asian studies at the Hebrew University of Jerusalem. He is a military historian, who published on subjects such as military resistance, war atrocities and free-lance military adventurers. His two latest books are The Plots against Hitler and Curse on this Country: The Rebellious Army of Imperial Japan. The Japanese translation of the latest book is forthcoming in Asahi Shinbun Press. Currently, he works on the history of intelligence in the early Cold War.

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Kyoto Lectures

The “Global Novel” of Murakami Haruki and Elena Ferrante

A Comparative Perspective

Francesco Eugenio Barbieri

Italian School of East Asian Studies

18 luglio 2019 18:00

There is a surprising similarity in the enormous success the novels of Murakami Haruki and Elena Ferrante are enjoying on a global scale. The narratives of both authors are built on several comparable textual strategies that domesticate their novels to a vast, transnational public. Above all, a continuous intersection between a global and a local dimension crafted by the authors’ ability to intertwine situations of local avour with major archetypes belonging to collective imagination. This tension between global and local can also be traced in their use of local standardised images—such as stereotypes in the case of Ferrante—shared on a transnational dimension.

The aim of this talk is to conduct a comparative analysis of Murakami and Ferrante’s writings, and to identify what contributes in making them two authors appealing to a truly transnational audience. Studying their works in a comparative perspective can help to trace a more accurate identikit of the newest narrative form of the 21st century: the “global novel”.

Francesco Eugenio Barbieri (PhD in Comparative Literature, University of Bologna) is adjunct professor of Japanese Culture and Literature at the University of Catania (Italy) and associate researcher of the Italian School of East Asian Studies. In 2014 he was awarded a Postdoctoral Fellowship for Overseas Researchers from the Japan Society for the Promotion of Science (JSPS) to do a research at Tokyo University of Foreign Studies on the circulation of Japanese and Italian contemporary novels in the foreign literary market. His current research revolves around the “global novel” with a focus on the work of Elena Ferrante and Murakami Haruki in a comparative perspective.

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Kyoto Lectures

Andreas Kim Taegǒn (1821-1846)

The Clandestine Life and Heroic Afterlife of the First Korean Catholic Priest

Pierre-Emmanuel Roux

Italian School of East Asian Studies

24 giugno 2019 18:00

Kim Taegǒn is usually remembered as the first Korean-born Catholic priest and a martyr. A product of three centuries of Catholic missions in East Asia, he stood as a tremendous figure in the Korean Church, severely repressed in the nineteenth century. This lecture, however, will not present the Catholic history of a Korean priest, but the Korean and East Asian history of a Catholic man. As it will be argued, Kim Taegǒn was more a clandestine go-between than a priest, since he spent many years in China and engaged in “religious” smuggling. His fate explains why he came to be venerated in the twentieth century as the patron saint of the Korean clergy and the greatest hero of Korean Catholicism. The “afterlife” of Kim Taegǒn will be assessed within the general process of hero making in modern Korea, the progressive indigenization of the Korean Church, and the recent developments in religious tourism. It is not exaggerated to say that his posthumous destiny encapsulates the whole history of Korean Catholicism, and shows why this religious figure finally became more a cultural icon than just a Catholic saint.

Pierre-Emmanuel Roux is an associate professor and the director of the Korean Studies Section at Paris Diderot University. He is also the co-editor of the academic journal Extrême-Orient, Extrême Occident. His current research projects include a biography of Kim Taegǒn and the translation of Pak Chiwǒn’s novels into French. He has published two monographs: La Croix, la baleine et le canon: La France face à la Corée au milieu du XIXe siècle  (Cerf, 2012), and Les enfers vivants ou la tragédie illustrée des coolies chinois à Cuba et au Pérou (Maisonneuve et Larose/Hémisphères, 2018).

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Kyoto Lectures

Observing Japanese mythologies

Why the Nihon Shoki has two books with myths but the Kojiki only one?

Robert F. Wittkamp

Italian School of East Asian Studies

27 maggio 2019 18:00

Initially, the so-called “Japanese myths” were a textual product of the Kojiki (712) and the Nihon Shoki (720). In the course of the centuries, these myths were altered, re-written, supplemented, and later were eventually exploited to serve Japanese nationalism. As a consequence, even today by using the word “Japanese myths” many people think of the Kojiki as containing an official mythology and of Amaterasu Omikami as the ancestor spirit of the imperial family. The creation of this image as a monotonously uniform mythology is the result of various developments and ideologies, but comparative mythology bears part of the responsibility as well.

However, since the late 1960s Japanese scholars have conducted a close reading of the mythical narratives contained in the first book of the Kojiki and in the two initial books of the Nihon Shoki, respectively. This has revealed distinct differences between the two corpora, breaking up the image of a homogeneous mythology. These text-oriented approaches can give a viable answer to the thorny question of why there are two books of myths in the Nihon Shoki whereas the Kojiki only has one. The talk will elucidate some of the reasons for the plurality and variability of Japanese myths as well as the reasons why it took so long to give a convincing answer to that question.

Robert F. Wittkamp teaches at Kansai University, in Osaka. His research interests are focused on Japanese literature before the end of the 8th century, and his books on Man’yoshu (2014) approach the poetry of memory to reveal the connections and relationships between landscape, writing, and cultural memory. The recently published Arbeit am Text—Zur postmodernen Erforschung der Kojiki-Mythen (2018) examines the Japanese text-oriented research on myths in the Kojiki and the Nihon shoki, and is another contribution to the investigation of Japanese early intellectual history.